Welcome to my digital home! There are lots of articles you might find helpful buried in this site on topics such as modifying an Alfa Romeo 159, rebuilding a lotus 7 (Robin Hood 2B), not to mention a ton of stuff on technology in general. It's all here somewhere, so use the search function or navigate using the menu structure. if you want to talk, reach out via the contact function, I usually do answer!
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Alfa 159The final stage was putting all the wiring in place. I opted for 4 gauge cable from the battery up front and a 4 gauge earth in the rear, both connected back to brass 4 way distribution blocks so I could pull 8 gauge runs to amps and the line converter. This also left me the easy upgrade route for adding additional amps to run upgraded mids & tweeters in the cabin, but that's another project!!
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InfoSec……can be reverse engineered by mankind.
Its a simple mantra, but one that has served me well in security.
Think of of this way, it doesn't matter how intelligent you are, someone, somewhere is more intelligent! When it comes to security this is never more true. As we all know, security is asymmetric, in so much that the effort required to secure something is significantly more than that required to break into it. Given this point, it makes the mantra even more relevant! If security was symetrical, you would have a 1:1 effort relationship, however, as its not, (we will for the purposes of this article assume its 2:1, i.e. double the effort required to secure), it would theoretically take less brain power than it took to create the control to break it.
Obviously I accept that this is a very simplistic representation of the point, but one I think is valid.
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LiveMixesJust messing around with some choonage, only 30 minutes or so long but some interesting choons and it doesn't sound too bad
https://jabawoki.com/wp-content/mp3/122009JabawokiMessinAround.mp3
Podcast: Play in new window | Download
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InfoSecI work in a world of standards, opinions, controls and countermeasures, all encompassed in a foreign language of “infosec” and “itsec”. This of course, while entertaining, is of little use to the world. I would like to propose a simple concept, probably high level, and I am sure my peers would argue is “inadequate”, that said however, hear me out:
Ok, so the basic concept is simple, setup three primary work streams or “functions”, 1 is a Risk Asssesment and Classifcation Function, 2 is a People / Process/ Awareness, and 3 is Controls, both protective and detective as needed.
The idea is that the risk assessment process runs in a cycle with inputs and outputs at the core of the system which serves as the engine for security. Its easier to explain in a diagram, take a look:
Genious or Madness, its your decision, I like it because its simple and can be applied to any situation. Of course I agree with arguments such as “where is the governance?”, “what about strategy” etc, but quite simply, thats not what this is. This is a simple security process that allows you to feed information in and get solutions out.
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LiveMixesIn celebration of my birthday I thought I would take a trip back to my roots and put out a big room trance mix for you all. Enjoy!
Track listing:
1 ALEX M.O.R.P.H. feat. Michael – Wanna Be (Album Extended Vocal Mix)
2 Cosmic Gate feat. Emma Hewitt – Not Enough Time (Extended Mix)
3 Dash Berlin feat. Emma Hewitt – Waiting (original Mix)
4 Fabio XB & Andrea Mazza – Light To Lies (Gareth Emery Mix)
5 John OCallaghan feat. Audrey Gallaher – Big Sky (Markus Schulz AX remix)
6 Rex Mundi feat. Susana – Nothing At All (Original Mix)
7 torcycle – As The Rush Comes (Daniel Kandi & Anton Firtich Divine Remix)
8 Myon & Shane 54 feat. Aruna – Helpless (Monster Mix)
9 Roger Shah & Tenishia feat. Lorilee – Im Not God (Roger Shah Mix)
10 Medina – You And I (Dash Berlin Mix)
11 Marco V – Unprepared (Extended Mix)
https://jabawoki.com/wp-content/mp3/Jabawoki_Uplifting_Trance_Vibes_10022011.mp3
Podcast: Play in new window | Download
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GeneralWell, after the change of room size the rp6g2's lack of low frequencies eventually pushed me to go the extra mile and get the KRK10s. Initial feedback on it? Its got so much bass! I know that's the whole point of it, but wow, I like bass and even I struggle with this sometimes. So much so that I actually bought the Boss FS-5L latched foot switch so that I could bypass the sub from time to time and allow the full range of frequencies back to the rp6g2's!!!!
So….. what does all this mean?
Well, first off the KRK10s is one hell of a good sub, well built, sounds great and can really pump out some power, so much so, it rattles all of the radiators in every room of the house when its wound up! that said, it more than matches the RP6G2's and compliments them well. The unit itself acts as the hub of your system, so you route your main outs to the unit from your source, then plug each of the other 2 speakers into the sub. My preference for this was to use TRS Balanced Jacks from my mixer to the Sub, then XLRs from the Sub to each speaker. A good, cheap cable provider I use regularly is: Vision Sounds on eBay, they are quick to process, cheap to buy and decent quality, so that works for me!
The KRK10s comes with a built in Crossover, with a knob on the back to set the Crossover frequency. I have played with this for a while now, and for me, I find that the best option is to keep some of the bass going to the RP6G2's and let the sub handle the low stuff. To that end, I tend to have my crossover point at around 50Hz, which lets the RP6G2's handle the punch in a beat while the KRK10's handles the roll. I find this approach keeps the imaging better in my opinion.
The built in amp comes with the same +-6db of gain through a control knob on the rear. Mine is set to -4db and that still, on some tracks and sources, overpowers the RP6G2's at 0db gain! For this reason, I find that it is very useful to have an EQ of sorts in the mix so you can compensate for different sources. I make use of an Alesis MultiMix8:Firewire to bring each of my audio sources together, which gives me a low/med/high EQ on each channel (except the Firewire output, but that' a whole different article!).
The final, but very useful feature that comes with this unit is a bypass ability. You can plug in any latch-able foot pedal, but the rokit site recommends the Boss FS-5L. I have the FS-5L and agree with them, its well built, but not so hard a switch that you can't use it by hand if you want it on your desk. The reason for the bypass is actually quite a good one. Sometimes, you need to remove the bass effect of the sub and revert back to just the bass of the RP6G2's. To do this without a bypass and making use of an EQ, you would taint the bass feed to the RP6G2's and actually not give an accurate image, however, the bypass, when engaged, simply kills the Sub, bypasses the EQ and outputs a full range signal to the RP6G2's leaving you with a nifty way of getting an accurate frequency reproduction for those absolute moments of audio clarity!
If your seriously thinking of adding a KRK10s to your setup, here are some tit bits of advice for you:
Buy the Boss FS-5L Latched Foot switch at the same time to give you the ability to bypass the sub easily when needed
If possible put at least a basic 3 band EQ between your source and the entire setup, as the ability to gently retard the bass is very handy
Make sure you have no neighbours attached, above, below or to the side of you, or you will quickly make some new enemies!
All in all, I am genuinely blown away with my overall investment into the Rokit camp, and will happily pick up an ERGO when funds can justify the £500 price-tag!
KRK10s Specs:
225 Watt (peak) Powered Sub woofer for Studio Use
SPL: 110dB music and 113dB Peak
10” High-Excursion Glass Aramid Composite Woofer
Frequency Response: 34Hz – 50Hz to 130Hz Variable (+/- 1.5 db)
Variable and Sweepable Low Pass Filter
80Hz High Pass Filter
Radically Curved Front Baffle Design for Amazing Performance
Front-firing port provides low frequency extension without boundary coupling
Bypass Control using Standard Foot switch
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LiveMixesIts been a long time coming, but here it is… a fresh mix on a totally new rig, so excuse the flaky mixing 🙂
https://jabawoki.com/wp-content/mp3/Jabawoki_Rolling_House_Beats_15082009.mp3
Podcast: Play in new window | Download
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GeneralThe Problem:
Ok, so anyone who has worked with sound equipment before would have been greatly disappointed shortly after taking the m-audio Xponent out of the box. Essentially, it's a bit crap. The main bug-bears are the faders, often referred to as being made by “Fisher Price”.They are loose, and generally feel nothing like a proper mixer, so anyone used to using pro audio equipment is going to feel short changed (I know I did!). That said, once you get over them, and there are some tricks you can apply to make them feel less annoying, the other primary bug-bear is Torq. This software can only be described as an epic fail! I gave it a shot, I persevered with it for a long time, and have come to the conclusion that its beat detection engine was programmed using chaos theory.
I have mixed on many different platforms, decks (belt and DD), CDJ's (from first gen to modern) and midi software from TraktorScratch V1.0 through to the usual suspects of today. What all of these platforms allow you to do is beat match with little effort if you've got a good ear. Torq on the other hand, seems to want to fight this process and in my own experience, creates a clinical/harsh environment to align beats without getting nasty overlay (beat on beat cancelation). If you persevere I am sure you can personally compensate for this and actually become good at “mixing with Torq” but IMO I don't think it appropriate to change my mixing style after 20 years just to accommodate crap software.
This problem brings us to the solution I have discovered. I don't take credit for pulling this together, many people better than me have toiled long and hard to make this work and have done some excellent work on the subject. All I wanted to do was have a rant, show you how easy it is to make the xponent better and then credit those who did the work.
The Solution:
native instruments have invested a lot of time and energy into refining the traktor product to what it is today. I have used different iterations of it since Scratch v1.0 (the first ever version) and it just keeps improving! The most recent version is Traktor Pro V1.x, I am using 1.2.4 and it is truly phenomenal. I won't go into it in too much detail, but will say this much, its intuitive, just like it should be, has some amazing effects available out of the box and “just works perfectly” What more could you ask for?
Of course, Despite the Xponent being a Midi control Surface and a Sound Card, it's been locked into Torq to proliferate the spread of the evil program, but, there is a way you can break out of this and turn your midi control surface back into a programmable 2-way midi surface like any other. It's actually quite simple:
While you switch the device on, press and hold the number 2 Queue button + the Lock Button on the left deck. It's that simple, hold them till it's all booted up, and to check its worked, press any button, if it lights up then fades away, it's not worked and you need to power off and try again. If it does not light up, you're in business and you have a midi control surface ready to use with any Digital dj software you want!
At this stage you have a couple of options, start mapping the buttons yourself or grab a map that has already been put together. Personally, I like to short-cut things, so I would grab a predesigned map. After a good look around and a few failed starts, I found a mapping from HolyCT based on the work of DJ Kad listed in the NI Forums. It is amazing! It has all the mappings you would want, full documentation and even a browser mode so you can use the jog wheels to browse your track lists without the keyboard and mouse! It makes use of the X/Y Pad and is IMO a very well put together map for the Xponent.
Bringing the good features from the Xponent to a well written and user friendly piece of software like Traktor Pro, is a marriage made in heaven! I am truly blown away with the usability and playability of the combination, and it has convinced me to stick with my Xponent for the time being. It may not be the best controller in its class, but it has some cool features and once you get used to the faders, it's not all bad!
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Alfa 159Once the car was pepped and ready it was onto the enclosure build. This was a combination of trial and error mixed with some loose calculations and estimations around box size. I had worked out utilising box design software that for my sub, a 0.6 cuft sealed enclosure was going to give me good responsive SQ and enough power. This also suited my limited boot incursion requirements so was ideal.
I also wanted the amp to be located as part of the enclosure and with the heat-sink visible to aid in cooling. The end result was to have something that looked as close to built by designed as I could achieve without a lot of fibreglass and pain!
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